#proteusproject
“Proteus, thus large thy privilege was found,
Thou inmate of the seas, which Earth surround.
Sometimes a bloming youth you grac’d the shore;
Oft a fierce lion, or a furious boar:
With glist’ning spires now seem’d an hissing snake,
The bold would tremble in his hands to take:
With horns assum’d a bull; sometimes you prov’d
A tree by roots, a stone by weight unmov’d:
Sometimes two wav’ring contraries became,
Flow’d down in water, or aspir’d in flame.”
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Metamorphoses, Ovid, Book the Eighth, The Changes of Proteus. Translated by Sir Samuel Garth, John Dryden, et al
***
Proteus is an ongoing project carried out since 2018 by Maria Smigielska and Pierre Cutellic stemming from artistic research at the chair of CAAD, ETH Zürich and Creative Robotics UfG Linz. Additional support has come from Johannes Braumann, Robots in Architecture, KUKA Robotics, Ars Electronica SMC CEE, supermagnete (Proteus 1.0 and 2.0), Trondheim Electronic Arts Center TEKS and Daniel Nikles for fabrication development (Proteus 2.5).
proteus 3.0
Digitizing Matter with Mixed Intelligences
Concept & development
Maria Smigieska, Compmonks (Pierre Cutellic)
Created as part of the intelligent.museum project at the ZKM | Center for Art and Media Karlsruhe and at the Deutsches Museum.
Funded by the Digital Culture Programme of the Kulturstiftung des Bundes (German Federal Cultural Foundation). Funded by the Beauftragte der Bundesregierung für Kultur und Medien (Federal Government Commissioner für Culture and Media).
proteus 2.0
Modulating Matter with Mixed Intelligences
Proteus is an installation that modulates ferrofluid patterns, with both human and machine intelligences, in a closed loop. Through an individual and prolonged visual experience, it immerses the visitor in an implicit interaction with the material through a brain-computer interface. A pre-trained dedicated machine learning model is informed by real-time neural signals, produced by the visitor’s gaze while being exposed to the rapid serial change of patterns without any explicit instructions to follow. Over the time of the gaze experience, visitors may witness a certain stabilisation of their own modulated picture of the material.
This model not only modulates the ferrofluid display over time but also slowly builds a digital motion picture of its behaviour. All the recorded sequences are then displayed separately to exhibit the variety of patterns collected throughout the period of the festival. The project infers on digitally encoded material properties with the use of a computational mixture of both human and machine vision models.
Proteus 2.0 @ Ars Electronica Festival “Error” 2018, Linz AT team:
Concept:
Maria Smigieska (CR UfG)
Compmonks (Pierre Cutellic) (CAAD ITA ETHz )
Development:
Maria Smigielska- design, fabrication
Compmonks (Pierre Cutellic)- design, fabrication
Johannes Braumann- fabrication support & advisory
Wesley Lee- electronics advisor
Project partners:
Creative Robotics UfG Linz, CAAD ETH Zurich
Project sponsors:
SMC CEE, supermagnete
photo & video: Maria Smigielska
video edit: Maria Smigielska
music: deef – nostalgia of an ex-gangsta rapper
proteus 2.1
Lab30, New Media Art Festival, Augsburg DE, 2019
The project is based on the development of artistic research at Creative Robotics UfG Linz and CAAD ETH Zurich.
Concept:
Maria Smigieska, Compmonks (Pierre Cutellic)
Development:
Maria Smigielska- fabrication
Daniel Nikles- fabrication support
photo & video: Maria Smigielska, Compmonks (Pierre Cutellic)
video edit: Maria Smigielska
music: Niobe “Lalu Lalu”
proteus 2.5
Meta.Morf X, 6th Trondheim Biennale for Arts and Technology, Tr. Kunstmuseum, NO, 2020
Concept, design:
Maria Smigielska, Compmonks (Pierre Cutellic)
Development:
Daniel Nikles- electronics design and development, fabrication
Maria Smigielska- fabrication
Photo credits: Espen Gangvik, Juliane Schütz, Maria Smigielska
Production support: TEKS (Trondheim Electronic Arts Center)
Curation: Espen Gangvik
proteus 1.0
Modulating Matter with Intuitive Interaction
It is an experiment on the modulation of ferrofluid patterns controlled by magnetic field controlled by a robotic interface. It modulates the patterns according to the audience interaction based on realtime face tracking data. Similarly to digital displays it is based on grid, but the material ferropixel presents a much richer gradient of emerging patterns.
Exhibited at Ars Electronica Center during Creative Robotics exhibition (curation Johannes Braumann, Kristina Maurer) Linz, AT 05.2018- 07.2018
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Concept:
Maria Smigieska (CR UfG)
Compmonks (Pierre Cutellic) (CAAD ITA ETHz )
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Development:
Maria Smigielska- design, fabrication, robotics
Compmonks (Pierre Cutellic)- design, fabrication
Johannes Braumann – robotics
Barlomiej Doros – chemistry advisor
Wesley Lee- electronics advisor
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Project partners:
Creative Robotics UfG Linz, CAAD ETH Zurich
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Project sponsors:
KUKA Robotics, Robots in Architecture, Ars Electronica Center
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music: Jo Noon “October”
video: Johannes Braumann, Compmonks (Pierre Cutellic)
video edit: Maria Smigielska
Proteus obtained 8th place at CreativeApplications.net 2018 -Highlights and Favourites
media
ARTICLES:
BOOKS:
Smigielska M., “Proteus” in “Architecture and Naturing Affairs” , An M., Hovestadt L. (Eds), Birkauser, 2020